演奏者のための音楽理論カリキュラム
弾くために必要なすべてを学ぶ
A 音楽理論
A1.音楽概論(Major Key1)
A1-1.基礎音楽知識(楽譜と音価、指板と鍵盤での理解)
A1-2.Major ScaleとKeyの理解
A1-3.Interval反応
A2.音楽概論(Major Key2)
A2-1.Rhythm(Syncopation, Anticipation, Delayed Attack)
A2-2.拍子
A2-3.Score Reading/Score Writing
A3.音楽概論(Minor Key)
A3-1.Minor Keyの考え方
A3-2.平行調とScale Tendencies
A4.音楽概論(Blues Key)
A4-1.Blues概要(歴史、特徴)
A4-2.Triplets(Shuffle Rhythm)
A4-3.Blue Notes(特徴音)
A5.音楽概論(Tonal Context)
A5-1.Range/Low Interval Limit
A5-2.Line Cliche/Pedal Point
A6.音楽概論(Key Change, Scale Change)
A6-1.Trancepose/Modal Interchange
A6-2.Modulation
A6-3.関係調/五度圏
B コード理論
B1.Major Key Chord 理論1
B1-1.Major Key Diatonic Chords(Triads, 7th Chords)
B1-2.Major Key Chords Progression(Tonic, Sub Dominant, Dominant)
B1-3.Major Key Chords Progression(Root Motion, 小節の捉え方)
B2.Major Key Chord 理論2
B2-1.Secondary Dominant Chords
B2-2.Related Ⅱm7(Ⅱ-Ⅴの理論)
B2-3.Extended Dominant
B3.Minor Key Chord 理論
B3-1.Natural Minor Scale Diatonic Chords
B3-2.Harmonic Minor Scale Diatonic Chords
B3-3.Minor Key Chord Progression(Tonic, Sub Dominant, Dominant)
B3-4.Mordal Interchange Major/Minor
B4.Blues Chord 理論
B4-1.Blues Chord Progression Rule
B4-2.Dominant Blues/Minor Blues/Jazz Blues
B4-3.Blue Note Tension Chord
B4-4.Blues 派生コード
B4-5.Add Blue Note Chords
B5.Tonal Context Chord 理論
B5-1.Suspended 4th/6th Chord/Add Tension Chord/Fifth Chord
B5-2.#Ⅳm7(b5)/bⅡMaj7
B5-3.Jazz Chord 理論(Substitute Dominant/rel Ⅱm7/relⅡm7(b5))
B5-4.Diminished Chord(Passing Diminished/SubⅤ7 Diminished/Ⅰdim7, Ⅴdim7)
B5-5.Inversion Chord/Hybrid Chord
B5-6.Upper Structure Triads
B6.Modal Inter Change, Modulation 理論
B6-1.Modulation Chord Analyse
B6-2.Tonic Cycle System(2Tonic Cycle/3Tonic Cycle/4Tonic Cycle/6Tonic Cycle)
C スケール理論
C1.Major Key Scale 理論1
C1-1.Chord Tone/Non-Chord Tone(Tension, Avoid Note)
C1-2.Major Pentatonic Scale(Scale Character)
C1-3.Chord Progressionに対してのApproach(Characteristic Note)
C2.Major Key Scale 理論2
C2-1.Chord Scaleの発想(Mode Scale)
C2-2.Dominant Scale Chord Scale/Altered Scale
C2-3.Secondary Dominant Chord Scale/Phrygian Dominant, Mixilydian b6
C2-4.Ⅱ-ⅤでのChord Scale/Extended Dominant Scale
C3.Minor Key Scale 理論
C3-1.Natural Minor Chord Tone/Non-Chord Tone(Tension, Avoid Note)
C3-2.Harmonic Minor Chord Tone/Non-Chord Tone(Tension, Avoid Note)
C3-3.Minor Key Chord Scale
C3-4.Major/Minor Scale Tendencies
C4.Blues Scale 理論
C4-1.Blues Pentatonic Scale
C4-2.Blues Scale(add#4)
C4-3.Add Blue Note Scale
C4-4.Scale Approach Technic
C4-5.Major Blues Scale
C5.Tonal Context Scale 理論
C5-1.Lydian b7 Scale/Locrian Natural 6th
C5-2.Symmetric Diminished Scale/Tonality Diminished Scale
C5-3.Symmetric Dominant Scale/Whole Tone Scale
C5-4.Jazz Chord Phrase
C6.Modal Interchange, Modulation Scale 理論
C6-1.Scale Change/Key Change
C6-2.Tetratonic Scale
C6-3.Bebop Scale
Modai context scale理論
D-1.Modal Context(Scale Only/Modal Harmony/Non-Character Chord)
D-2.Scale Character(Characteristic Note/Scale Tendencies)
D-3.Mode Scale From Major Scale
D-4.Modal Harmony
D-5.Modal Context(Non-Chord)
D-6.Modal Context(Voicing In 4th&Pedal Point)
D-7.Mode From Harmonic Minor Scale
D-8.Mode From Melodic Minor Scale
D-9.Mode From Harmonic Major Scale
E-1.Traditional Scale
E-2.Symmetric Scale
E-3.Modes of Limited Tranceposition
E-4.拡張 Minor Key
E-5.拡張 Modal Interchange
E-6.Contemporary Music
Contemporary
E-1.Traditional Scale
E-2.Symmetric Scale
E-3.Modes of Limited Tranceposition
E-4.拡張 Minor Key
E-5.拡張 Modal Interchange
E-6.Contemporary Music