１.基礎音楽知識

１−１.基礎音楽知識　（楽譜、鍵盤の理解）Major Scale と Keyの概念

１−２.Interval 反応

２.Major Key Chord Progression

２−１.Major Key Diatonic Chords (Triads)

２−２.Major Key Diatonic Chords (7th Chords)

２−３.Chord Progression1 (Chordの分類,Tonic,Subdominant,Dominant)

２−４.Chord Progression2 (Root Motion、小節の捉え方)

３.Major Key Melodic Manipulation

３−１.Chord tone & Non-Chord tone (Tension,Avoid Note)

３−２.Melodic Manipulation (Syncopation Anticipation Auftakt)

３−３.Scale 発想 (Scale Character,Pentatonic Scale)

３−４.Chord Scale (Mode Scale)

４.Major Key Non-Diatonic Chords

４−１.Secondary Dominant Chords

４−２.Related Ⅱm7 Chords

４−３.Extended Dominant

４−５.Dominant Chord Scale 1 (Altered Scale,Secondary Dominant Scale )

５.Minor Key Context

５−１.Minor Scale (Natural Minor Scale,Harmonic Minor Scale)

５−２.Minor Key Chord Progression (Chordの分類,Tonic,Subdominant,Dominant)

５−３.Minor Key Melodic Manipulation (Non-Chord Tones,Scale Tendencies)

５−４.Modal Interchange (Major/Minor)

６.Blues

６−１.Blues 概要 (Dominant Blues,Blue Note)

６−２.Blues Scale (Blues Pentatonic,add#4 Scale)

６−３.Blues派生コード (Minor/Blues Modal Interchange)

６−４.Blues応用 (Major系Blues,Minor Blues,Jazz Blues)

６−５.Tonal Context 総括 (Major/Minor/Blues)

７.Cliche/Pedal Point

７−１.Range/Low Interval Limit

７−２.Pedal Point(Tonic Pedal,Dominant Pedal,Bass Pedal,Interior Pedal,Soprano Pedal)

７−３.Line Cliche (Bass Line Cliche,Chord Voicing)

８.Other kind of Chord

８−１.Suspended 4th/6th Chord/add9/Fifth Chord

８−２.＃Ⅳm7(b5)/bⅡMaj7

８−３.Substitute Dominant/relⅡm7/MinorⅡⅤ (Jazz Chord Progression)

８−４.Lydian b7 Scale/Locrian natural 6

８−５.Diminished Chord (Passing Diminished/SubⅤ7 Diminished/Ⅰdim7 Ⅴdim7)

８−６.Diminished Chord Scale (Symmetric Diminished Scale/Tonality Diminished Scale)

８−７.Dominant Chord Scale 2 (Symmetric Dominant Scale / Whole tone Scale)

９.Compound Chord

９−１.Inversion Chord

９−２.Hybrid Chord (Diatonic Chord Scale)

９−３.Hybrid Chord (Non-Diatonic Chord Scale)

９−４.Upper Structure Triad

９−５.Polychord

１０.Modulation

１０−１.Trancepose/Modal Interchange

１０−２.Direct Modulation

１０−３.Dominant Chord Modulation

１０−４.Pivot Chord Modulation

１０−５.Transitional Modulation

１１.Modal Context

１１−１.Modal Contextの考え方

１１−２.Modal Harmony (Dorian Scale)

１１−３.Phrygian Dominant (Spanish 8note Scale)

１１−４.Lydian (Scaleのみでの作曲法,Minimal Music)

１１−５.Mixolydian (様々なScaleでのModal Interchange)

１１−６.Aeolian Locrian Ionian

１２.Advance Modal Context

１２−１.Mode from Harmonic Minor Scale (Tonal&Modal Context)

１２−２.Mode From Melodic Minor Scale (Tonal&Modal Context)

１２−３.Mode From Harmonic Major Scale (Tonal&Modal Context)

１２−４.Other Mode Scale

１３.Contemporary

１３−１.Traditional Scale

１３−２.Symmetric Scale (Messiaen Scale)

１３−３.現代作曲技法 (Minimal Music,１２音技法,微分音Etc,,,)

１３−４.Contemporary Music 作曲

１４.Harmony Arrange

１４−１.PartSoli1 (4part,Close Voicing)

１４−２.PartSoli2 (Open Voicing)

１４−３.PartSoli3 (3part,2part,5part)

１４−４.Approach Technic

１４−５.Top Note Voicing (ソロピアノ、ソロギター制作)

１４−６.Spread Voicing

１４−７.Melodic Embellishment

１５.Harmony Arrange2

１５−１.Voicing in 4th (Tonal Context/Modal Context)

１５−２.Voicing in 2nd

１５−３.Upper Structure Triad

１６. Arranging

１６−１.楽器の特性、音域の基礎知識

１６−２.木管楽器でのArrange

１６−３.SaxPhone でのArrange

１６−４.金管楽器でのArrange

１６−５.Horn Section Arrange

１６−６　Big Band Jazz Arrange

１６−７.Improvisationの制作