A.音楽理論

A1.音楽概論(Major Key1)
A1-1.基礎音楽知識(楽譜と音価、指板と鍵盤での理解)
 
A1-2.Major ScaleとKeyの理解
 
A1-3.Interval反応


A2.音楽概論(Major Key2)
A2-1.Rhythm(Syncopation, Anticipation, Delayed Attack)
 
A2-2.拍子
 
A2-3.Score Reading/Score Writing


A3.音楽概論(Minor Key)
A3-1.Minor Keyの考え方
 
A3-2.平行調とScale Tendencies


A4.音楽概論(Blues Key)
A4-1.Blues概要(歴史、特徴)
 
A4-2.Triplets(Shuffle Rhythm)
 
A4-3.Blue Notes(特徴音)


A5.音楽概論(Tonal Context)
A5-1.Range/Low Interval Limit
 
A5-2.Line Cliche/Pedal Point


A6.音楽概論(Key Change, Scale Change)
A6-1.Trancepose/Modal Interchange
 
A6-2.Modulation
 
A6-3.関係調/五度圏


B.コード理論

B1.Major Key Chord 理論1
B1-1.Major Key Diatonic Chords(Triads, 7th Chords)
 
B1-2.Major Key Chords Progression(Tonic, Sub Dominant, Dominant)
 
B1-3.Major Key Chords Progression(Root Motion, 小節の捉え方)


B2.Major Key Chord 理論2
B2-1.Secondary Dominant Chords
 
B2-2.Related Ⅱm7(Ⅱ-Ⅴの理論)
 
B2-3.Extended Dominant


B3.Minor Key Chord 理論
B3-1.Natural Minor Scale Diatonic Chords
 
B3-2.Harmonic Minor Scale Diatonic Chords
 
B3-3.Minor Key Chord Progression(Tonic, Sub Dominant, Dominant)
 
B3-4.Mordal Interchange Major/Minor


B4.Blues Chord 理論
B4-1.Blues Chord Progression Rule
 
B4-2.Dominant Blues/Minor Blues/Jazz Blues
 
B4-3.Blue Note Tension Chord
 
B4-4.Blues 派生コード
 
B4-5.Add Blue Note Chords


B5.Tonal Context Chord 理論
B5-1.Suspended 4th/6th Chord/Add Tension Chord/Fifth Chord
 
B5-2.#Ⅳm7(b5)/bⅡMaj7
 
B5-3.Jazz Chord 理論(Substitute Dominant/rel Ⅱm7/relⅡm7(b5))
 
B5-4.Diminished Chord(Passing Diminished/SubⅤ7 Diminished/Ⅰdim7, Ⅴdim7)
 
B5-5.Inversion Chord/Hybrid Chord
 
B5-6.Upper Structure Triads


B6.Modal Inter Change, Modulation 理論
B6-1.Modulation Chord Analyse
 
B6-2.Tonic Cycle System(2Tonic Cycle/3Tonic Cycle/4Tonic Cycle/6Tonic Cycle)


C.スケール理論

C1.Major Key Scale 理論1
C1-1.Chord Tone/Non-Chord Tone(Tension, Avoid Note)
 
C1-2.Major Pentatonic Scale(Scale Character)
 
C1-3.Chord Progressionに対してのApproach(Characteristic Note)


C2.Major Key Scale 理論2
C2-1.Chord Scaleの発想(Mode Scale)
 
C2-2.Dominant Scale Chord Scale/Altered Scale
 
C2-3.Secondary Dominant Chord Scale/Phrygian Dominant, Mixilydian b6
 
C2-4.Ⅱ-ⅤでのChord Scale/Extended Dominant Scale


C3.Minor Key Scale 理論
C3-1.Natural Minor Chord Tone/Non-Chord Tone(Tension, Avoid Note)
 
C3-2.Harmonic Minor Chord Tone/Non-Chord Tone(Tension, Avoid Note)
 
C3-3.Minor Key Chord Scale
 
C3-4.Major/Minor Scale Tendencies


C4.Blues Scale 理論
C4-1.Blues Pentatonic Scale
 
C4-2.Blues Scale(add#4)
 
C4-3.Add Blue Note Scale
 
C4-4.Scale Approach Technic
 
C4-5.Major Blues Scale


C5.Tonal Context Scale 理論
C5-1.Lydian b7 Scale/Locrian Natural 6th
 
C5-2.Symmetric Diminished Scale/Tonality Diminished Scale
 
C5-3.Symmetric Dominant Scale/Whole Tone Scale
 
C5-4.Jazz Chord Phrase


C6.Modal Interchange, Modulation Scale 理論
C6-1.Scale Change/Key Change
 
C6-2.Tetratonic Scale
 
C6-3.Bebop Scale


D.Modal Context Scale 理論

D-1.Modal Context(Scale Only/Modal Harmony/Non-Character Chord)
 
D-2.Scale Character(Characteristic Note/Scale Tendencies)
 
D-3.Mode Scale From Major Scale
 
D-4.Modal Harmony
 
D-5.Modal Context(Non-Chord)
 
D-6.Modal Context(Voicing In 4th&Pedal Point)
 
D-7.Mode From Harmonic Minor Scale
 
D-8.Mode From Melodic Minor Scale
 
D-9.Mode From Harmonic Major Scale


E-1.Traditional Scale
 
E-2.Symmetric Scale
 
E-3.Modes of Limited Tranceposition
 
E-4.拡張 Minor Key
 
E-5.拡張 Modal Interchange
 
E-6.Contemporary Music


D-1.Modal Context(Scale Only/Modal Harmony/Non-Character Chord)
 
D-2.Scale Character(Characteristic Note/Scale Tendencies)
 
D-3.Mode Scale From Major Scale
 
D-4.Modal Harmony
 
D-5.Modal Context(Non-Chord)
 
D-6.Modal Context(Voicing In 4th&Pedal Point)
 
D-7.Mode From Harmonic Minor Scale
 
D-8.Mode From Melodic Minor Scale
 
D-9.Mode From Harmonic Major Scale


E.Contemporary

E-1.Traditional Scale
 
E-2.Symmetric Scale
 
E-3.Modes of Limited Tranceposition
 
E-4.拡張 Minor Key
 
E-5.拡張 Modal Interchange
 
E-6.Contemporary Music


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